foto jembatan di Lebak, Banten, karya fotografer Reuters, Beawiharta

Interview bersama iweng atau irwan bagja darmawan, seniman muda dari Bandung, Indonesia yang membuat mural individu terpanjang diatas medium pilar-pilar jalan tol di Bandung. seperti yang dia katakan dalam interviewnya, ini bukan lah grafitti jalanan melainkan art yang dibawa ke jalan.
untuk contact bisa langsung ke facebooknya di

http://www.facebook.com/profile.php?id=1008740966

7th havana biennial

http://tinyurl.com/3ro86x3

data lengkap pameran

http://tinyurl.com/3m37r63

#RESPECTA 2012

COPAS!
Seni Rupa dan Isu Sosial: Peluncuran Serial Katalog Data & Pameran Arsip IVAA
20 Januari – 3 Februari 2012

Pembukaan:
Jumat, 20 Januari 2012
19.00 – Selesai
Lokasi: Ruru Gallery, ruangrupa‚ Jln. Tebet Timur Dalam Raya no.6‚Jakarta Selatan, 12820

Tahun ini IVAA menerbitkan serangkaian Buku Katalog Data IVAA dalam 4 Volume. Serial Buku Katalog Data IVAA ini menggelar data yang dirangkai dan dikumpulkan dari peristiwa-peristiwa seni visual Indonesia, dalam format buku cetak dan CD-ROM. Dikurasi dari database IVAA sebagai produk pengetahuan dari kerja dokumentasi IVAA selama ini untuk pengembangan wacana pengetahuan masyarakat kontemporer.

Buku saku ini dimaksudkan untuk ikut membangun bahan, medium dan wacana seni rupa dan perkembangan masyarakat bagi dunia pendidikan dan eksperimentasi praktik seni rupa di masa yang akan datang, dan diharapkan juga menjadi buku panduan untuk penelitian dan bahan pengajaran seni rupa.

IVAA telah meluncurkan bagian I dari rangkaian data ini di Surabaya: RUPA TUBUH, September kemarin. Yang kedua; REKA ALAM, diluncurkan di Bali bulan November dan Volume ke III: KOLEKTIF KREATIF di ISI Padang Panjang awal Januari ini.

Yang terakhir, volume IV : INTERKULTUR, kami berencana meluncurkannya di Jakarta beserta ke-3 volume yang lainnya dalam satu paket buku, dengan pameran arsip multimedia yang berlokasi di Ruru Gallery, ruangrupa, dibuka 20 Januari ini.

***

Kami juga menyelenggarakan rangkaian Bedah Buku untuk ke-4 buku ini di 4 tempat, yaitu:

REKA ALAM:

Praktik Seni VIsual dan Isu Lingkungan di Indonesia (Dari Mooi Indie Hingga Reformasi)
Sabtu, 21/01/12, 15.00-17.00 WIB
Kafe Tjikini
Jalan Raya Cikini 17‚Jakarta 10330

Pembicara:
Enrico Halim, Hilmar Farid

Moderator:
Berto Tukan

***

RUPA TUBUH :

Wacana Gender dalam Seni Rupa Indonesia (1942 – 2011)
Senin, 23/01/12, 15.00-17.00 WIB
Komnas Perempuan ‚Jl Latuharhary 4B‚Jakarta 10310 ‚

Pembicara:
Saras Dewi, Heidi Arbuckle

Moderator:
Aquina Hayunta

***

KOLEKTIF KREATIF:

Dinamika Seni Rupa dalam Perkembangan Kerja Bersama Gagasan dan Ekonomi (Kreatif) (1937 – 2011)
Selasa, 24/01/12, 15.00-17.00 WIB
Galeri Fakultas Seni Rupa‚Institut Kesenian Jakarta‚Jl. Cikini Raya No. 73‚ Jakarta Pusat 10330‚Pusat Kesenian Jakarta – TIM

Pembicara:
Yudhi Soerjoatmodjo, Ronny Agustinus
Moderator:
Afra Suci

***

INTERKULTUR:

Pengolahan Gagasan dan Ekspresi Seni Visual serta Media Alternatif dalam Konteks Keberagaman (1935 – 2011)
Kamis, 26/01/12, 19.00-21.00 WIB
ruangrupa‚Jln. Tebet Timur Dalam Raya no.6‚Jakarta Selatan, 12820‚
Pembicara:
Arif Adityawan, Jemi Irwansyah
Moderator:
Ratih Sukma

CP:

Asep Topan 0857 8210 6842
Maulida Raviola 0857 1187 1363
email: program@ivaa-online.org

Penerbitan Serial Katalog Data IVAA dan penyelenggaraan program ini didukung oleh HIVOS.

***

Untuk info lebih lanjut silakan kunjungi  http://update.ruangrupa.org/2012/copas/  Kunjungi pula www.okvideo.org  dan gabung di grup Facebook ruangrupa serta follow ruangrupa di www.twitter.com/ruangrupa.

    ruangrupa

Tebet Timur Dalam Raya No.6

Jakarta Selatan 12820

Telp / Fax : +6221 8304220

www.ruangrupa.org

info@ruangrupa.org

#RESPECTA NEWS 2012

Latest video production from MBC

Sat One recently exhibited new work for his recent solo show titled “Chromolog” at Firstlines Gallery in Munich Germany. Sat One has established himself as a premier muralist. He takes time away from painting walls and focuses his attention on canvas. Abstract at first glance, but as you look closer or as you step away in Sat One’s case the picture shows itself. Form is hidden in intersecting colors, composition gives way to shapes of soft geometry. This soft geometry is one of my favorite part of Sat One’s work, scaled down to a canvas size the details create patterns. These patterns accidental in nature at at times resemble microscopic landscapes, and at distance resonating shapes of color. It is the earthly palette and clean execution that pull the work all together. A great showing of work from Sat One. Congrats! Show summary below.

GF

“Sat One was born in 1977 in Venezuela and grew up in Munich. A trained graphic designer discovered early his interest in graffiti, but steadily developed a style that denies remote historically evolved forms and imagery, the supposedly superficial beauty. Sat One designed with its non-Euclidean geometric abstractions and futuristic-looking forms a formal but not tangible world, a world in which the spatial effect exists but is not predetermined by classical laws of physics in severity. Sat One tightrope walk between clarity and futuristic constructivist rejection of classical ideas recites defined geometry, microscopic forms, visualizes bold visionary unphysical or ban, in the style of classic science fiction, fantasy and reality to hyperspace on canvas. Sat One appears with its complexity and its precision as an architect of a parallel existing reality, in which the physical form of their building materials, away from earthly gravity, manifesting only in their combination.

Space without dimension, shape, without mass and time are not necessarily linear – the strange and inscrutable, incomprehensible remains immanent and accompanied us on imaginary journeys.”

fotos by Max Geuter

We came across the work of Italian artist Sago and we wanted to share his work with you. Sago paints with a clean precise sense of form. His graffiti is a nice cross of representational graffiti with abstract and minimal elements. The artist tends to work in colorful palettes with high contrast. Neon like color palettes to simple black and white renderings, he impresses us with his style and use of color. With floating forms and an excellent use of soft and hard shapes Sago builds a great base for his letter form. He also works on canvas and takes a more abstract approach with these works. You can still see his touch of color and sense of atmosphere in his paintings. Sago is a well rounded and talented artist. We will make sure to share future projects from the artist with you. Here is a brief bio about the artist below.

GF

“Born in Italy, Sago hit the first wall in 1993 at the age of ten. Since then he painted constantly until 1999, when he stopped and concentrated on his university studies in Landscape Architecture; after traveling extensively through Asia and Australia, he came back to aerosols in 2008. Based on the belief that value of contemporary art stands not in the final product but in the idea and in the several steps that generated it, his work tries to tell the story of a continuous process, and this must be the key of lecture approaching both to the typographic studies he makes on walls and the abstract layers he composes on canvases: results of the same process on different surfaces. In 2010 he founded Archigraff, a collective of artists that features RUSL, AROE, ECB, TASEK, SOBEK, KCIS, NYCHOS, STORM, RIFLE, PIXELJUICE, WANY and DERS. It focuses its attentions on urban regeneration proposing art as a solution for visual pollution in the contemporary city.”

French Artist Hopare has been busy painting new walls. Here is a brief compilation of his most recent work. We were first drawn to Hopare’s graffiti pieces. It is now interesting to watch the artist push more character based themes in his work. We look forward to watching Hopare mix it up with narrative as well as letter based work.

GF

One9 is one of those artists that slips under the radar of the culture, a virtuoso of many skills and interests whom Ive known for some 12 years now. In that time I have come to appreciate his journey and early history in the Washington DC graffiti scene, one which is often overlooked but relevant int the annals of our culture. He shares some recent works and some thoughts with us at Graffuturism.

GF – Your new works are crossing back and forth from expressionistic painting and modernist hard lined compositions, where are you finding the most comfort with the styles of painting?

One9-I would say I feel most free when the work feels raw and unfinished. I find a balance of laying down hard lines and breaking them wide open so there are no boundaries that limit aggression. Like Tiger stalking deer, there is a calmness that comes with the approach of layering the line work down then unloading animal instinct in breaking apart structure and limits.

GF- The paintings are devoid of any reference to your background in graffiti, is this intentional or do you hide it in the layering of paint?

One9 – I would say there is still references to my graff background in the way the lines have structural forms similar to the way I used to draw my letters out. In this case there aren’t any letters just free form connections using hard cuts and negative space.

GF – If there is a reference point of influence that is inspiring this type of work what is it?

One9 – Actually, this is how I used to paint growing up. There is a sense of freedom that comes with painting from the gut with a sense of history that I grew up with..I grew up in the DC area in the 80′s in a household where my father played allot of Mozart, Ella Fitzgerald and Oscar Perterson. I would go from one room listening to what he played into my own zone where I would draw and a paint while I listened to UltraMagnetics, Trouble Funk, Rare Essence, Mantronix, etc.. I would also have out some books out of Jackson Pollock paintings, Da Vinci sketches, few images of Phase 2′s IGT zine, some Vaughn Bode and watch ABC’s Wide World of Sport. “The Thrill of Victory and the Agony of Defeat” Combing this elixir of sport, art. sound and raw aggression I felt totally unfiltered and free with my work. After my father past a few years ago I went back and started playing allot of the classical music again and starting painting with that sense of freedom I had growing up. Now, I paint with balance using negative space, mixed with the aggressive line work that I’ve learned over the years. Feels free to paint again with no boundaries.

GF – You have also been developing abstractions that are referencing Chess, that in itself is a rich metaphor for abstract and strategic thought how is this developing in the new wks?

One9 – Chess is a discipline that requires moving to spaces seen and unseen. I love the game Mare, addicted to it in a sense, I play every day online making one move a day against players around the world. In today’s fast paced world where people talk with in short spurts and texts, Chess allows me to still speak in a long thought out visual language that reminds me of painting. In my opinion, I compare playing chess to the battle styles created in the graff world in a sense that you have to create your space in layers, take risks that aren’t seen to your opponent and have the patience to defend and attack in asymmetric broken rhythms. In creating the paintings of the chess pieces I use the same type of fill that I would use in a graff letter or in a chess game. They both feel very similar.

GF – I have to ask about your history as a graffiti writer in Washington DC which is a close cousin to NYC but has rarely been considered for its tradition of writing culture.

One9 – Growing up in the DC area during the 80′s was a special time period in my opinion for various reasons. From a historical point of view DC has been a mecca for musical genius. You had Duke Ellington, Marvin Gaye, Bad Brains and the raw sounds of Go-Go. From a visual standpoint, growing up initially I would see scratch tags from Go-Go names like “Gangsta Chronicles”, “Whats up Woody” and the king of getting up in DC “Cool Disco Dan” to name a few on busses and walls throughout DC. Once “Style Wars” and Subway Art came out I saw a rush of tags everywhere and initial throw ups and eventually burners. For me, this changed my life. This was the crack era in DC and at that time DC was known as the murder capital. A few friends and I had a store on 15th and U St. called ‘HeadFlows’ where we sold clothes made out of hemp, graff supplies and in the back you could buy any type of “lift” you wanted. Our security system was this guy that who just got out of jail who sold guns in the back and walked his 6 pitbulls outside the store. The feel of the city was something raw, gritty and soulful. Go-Go was the juice that pumped throughout city and Hip-Hop and early Punk and Skate culture were all coming together. There were spots like the old 930 club where you could see Trouble Funk with KRS or Organized Confusion and some indie rock band. Allot of writers would get up around these shows and connect and build. From my point of view I was connected to the music first and my writing/painting style was a reflection of what I was seeing and hearing.

It is good to see El Mac and Augustine Kofie getting together again for a new wall. The pair have collaborated on projects in the past, and it is always a pleasure to watch the figurative and geometric styles of both artists. When they collaborate together each brings a signature style, yet work closely together to form a cohesive wall. The red black and white palette was a nice surprise also. Great wall and collaboration. Once again thanks to the Carlos Gonzalez for providing quality pictures.

GF

We had the pleasure of receiving some preview pics and new walls from Mark Lyken. Here are some pictures from his upcoming exhibition at XOYO. We also has some new walls that Lyken has been working on to go along with the paintings. Mark’s explosive work can be described as abstract explosions of color mixed with penetrating lines extending circular strokes of color. A man of many talents Lyken also will be launching an album to go along with the new work. You can see clearly the parallels in his work with music, the rhythm of pulsating circular images mimicking sound vibrating and moving yet standing still. Very impressed with the new work and overall direction Lyken has been moving in. Check out the show summary below.

GF

“Exploring duality in Art & Music, Gamma Proforma’s GP2011 events feature three distinct UK artists with a
common thread, they operate on Dual Channels. Three events at XOYO London during August/September 2011. Each event launches a set of Giclee prints and a soundtrack album by the featured artist. The artists will be in attendance and will perform works at the events. The first 30 attendees at each event will receive a limited edition artist’s pack that includes a signed Giclee print and hand made soundtrack. Support from DJ’s Noel Watson & Nate Thompson plus guests.

Part 2. The Art & Sounds of Lyken – 6.30pm, Friday 26th August 2011 @ XOYO London
Lyken’s layered & gestural work captures turbulent events & cycles along the timeline of a living cosmos. These are worlds within worlds, chemical universes revealed at a microscopic level. His music reflects this same detail, decayed sounds and transmissions shimmer in space, a melodic sea of scientific musical patterns that chime with that certain universal emotion.

http://gammaproforma.com/”

Rekaman Audio Diskusi 1:Street Art dan Kehidupan Sosial Politik di Ruang Kota
Pembicara: Irwansyah (Jemi)
Waktu: Minggu, 15 Januari 2012
Tempat: Indonesian Street Art Database
Jalan Bambu Ampel III No. D15A, Komplek Paminda
Pasar Minggu, Jakarta Selatan

Free Download :
http://soundcloud.com/isad/diskusi-1-isad

We recently read the article Essay: Willem de Kooning and Wildstyle by Daniel Feral on 12ozprophet.com. We wanted to share some quotes from the essay and hope you head over and read the complete essay here. It will be articles like this that will further, and help with the dialogue of our culture. We also hope to contribute more in depth articles and essays throughout the year.  They can help educate as well bring new perspectives to look at graffiti. Daniel Feral does an excellent job articulating and referencing some key concepts about graffiti and art history. We are a big proponent of the idea that there are clear similarities to what is happening now and past art history. Its great to see another writer take the time to bring these thoughts to paper in a clear essay. Daniel Feral recently co-curated PANTHEON: A history of art from the streets of NYC Exhibition and continues to write about street art and graffiti as a contributor for 120zprophet.

GF

“Even if the early graffiti writers and street artists did not know who Willem de Kooning was, he and the other Action Painters can still be considered their theoretical and cultural heritage. If nothing else the tendency for any movement to develop from a primitive style to a highly complex expression of the original form is fully evident in the development of Wildstyle in the late seventies from the primitive scrawl of early taggers in the late sixties. Wildstyle, in the late part of the seventies and early eighties, was an apotheosis of style equivalent to the development of Cubism from Fauvism via Symbolism and Impressionism, and also similar to the way AbEx developed from a simpler form geometric abstraction.”

“The Feral Diagram illustrates these connections with a 2-D info-graphic, charting the revolutionary change in Fine Art History as Graffiti and Street Art became the most relevant movement(s) throughout the world, as evidenced by their popularity and influence. As time has passed, because of the successes of the Pop Art movement as well which allowed for the acceptance of the movement into the art world in the first place, Graffiti and Street Art have continued to grow in acceptance and popularity, becoming the most relevant movement of the late twentieth century and at the start of the new millennium.”

HARI KEBERATAN NASIONAL , Lokasi: Depan Gedung MPR- Jakarta, Foto oleh Jasser Alif, Dokumentasi ISAD (Indonesian Street Art Database ) 2012

Dalam setiap aksi demontrasi pasti mempunyai pesan yang ingin disampaikan dan disuarakan ke publik, salah satunya adalah dengan cara menuliskan pesan di berbagai media seperti spanduk, poster, dan juga menuliskan secara langsung pesan itu di tembok baik dengan menggunakan sapuan cat atau “pilox” (Cat Semrot), cara yang cukup murah, simple dan sangat efektif (Graffiti)

Foto diatas diambil oleh Kawan kita Jasser Alief dalam Solidaritas Demontrasi untuk memperjuangkan kembali hak warga

negara Indonesia yang tanahnya di rampas oleh negara dan pihak-pihak yang membayar aparat negara untuk mengklaim

lahan tanah milik warga, hari kemarin itu disebut sebagai Hari Keberatan Nasional untuk mengetahui lebih detil Saya lampirkan Pernyataan Sikap Aksi silahkan baca dibawah ini .

Pernyataan Sikap

Sekretariat Bersama Pemulihan Hak Hak Rakyat Indonesia

Lawan Perampasan Tanah dan Ruang Hidup Rakyat!

“Reforma Agraria, Pembaruan Desa dan Keadilan Ekologis Jalan Indonesia Berkeadilan Sosial“

Jakarta, 12-01-2012

Kami dari “Sekretariat Bersama Pemulihan Hak-Hak Rakyat Indonesia”, aliansi dari organisasi Petani, Buruh, Masyarakat Adat, Perempuan, Pemuda Mahasiswa, Perangkat Pemerintahan Desa, dan NGO.

Kamis 12 Januari 2012 melakukan aksi serentak di Ibu kota Negara DKI Jakarta dan 27 Provinsi di wilayah Sumatera, Jawa, Kalimantan, Sulawesi, Bali NusaTenggara, Maluku dan 4 wilayah di luar negeri.

Kamis 12 Januari 2012  menyatakan Perlawanan dan Membentuk Aliansi Gerakan Perlawanan Terhadap Perampasan Tanah-Tanah Rakyat yang difasilitasi oleh rezim SBY-Boediono di seluruh Indonesia.

Kami Berpandangan:

Bahwa masalah utama agraria (tanah, air, dan kekayaan alam) di Indonesia adalah konsentrasi kepemilikan, penguasaan dan pengusahaan sumber-sumber agraria baik tanah, hutan, tambang dan perairan di tangan segelintir orang dan korporasi besar, di tengah puluhan juta rakyat bertanah sempit bahkan tak bertanah. Ironisnya, ditengah ketimpangan tersebut, perampasan tanah-tanah rakyat masih terus terjadi.

Perampasan tanah tersebut terjadi karena persekongkolan jahat antara Pemerintah, DPR-RI dan Korporasi. Mereka menggunakan kekuasaannya untuk mengesahkan berbagai Undang-Undang seperti: UU No.25/2007 Tentang Penanaman Modal, UU No.41/1999 Tentang Kehutanan, UU 18/2004 Tentang Perkebunan, UU No.7/2004 Tentang Sumber Daya Air, UU No. 27/2007 Tentang Pengelolaan Wilayah Pesisir dan Pulau-Pulau Kecil, UU No. 4/2009 Mineral dan Batubara, dan yang terbaru pengesahan UU Pengadaan Tanah Untuk Pembangunan. Keseluruhan perundang-undangan tersebut sesungguhnya telah melegalkan perampasan hak-hak rakyat atas tanah, hutan, tambang, wilayah tangkap nelayan, wilayah kelola masyarakat adat dan desa, kesemuanya hanya untuk kepentingan para pemodal.

Perampasan tanah berjalan dengan mudah dikarenakan pemerintah pusat dan daerah serta korporasi tidak segan-segan mengerahkan aparat kepolisian dan pam swakarsa untuk membunuh, menembak, menangkap dan bentuk-bentuk kekerasan lainnya jika ada rakyat yang berani menolak dan melawan perampasan tanah.

Kasus yang terjadi di Mesuji dan Bima adalah bukti bahwa Polri tidak segan-segan membunuh rakyat yang menolak perampasan tanah. Hal ini terjadi karena Kepolisian Republik Indonesia (Polri) secara jelas dan terbuka telah menjadi aparat bayaran perusahaan perkebunan, pertambangan, dan kehutanan. Kasus PT.Freeport  dan Mesuji Sumatera Selatan membuktikan bagaimana polisi telah menjadi aparat bayaran tersebut.

Cara-cara yang dilakukan oleh pemerintahan SBY-Boediono dalam melakukan perampasan tanah dengan menggunakan perangkat kekerasan negara, mulai dari pembuatan undang-undang yang tidak demokratis hingga pengerahan institusi TNI/polri untuk melayani kepentingan modal asing dan domestik sesungguhnya adalah sama dan sebangun dengan cara-cara Rezim Fasis Orde Baru.

Kami menilai bahwa perampasan hak-hak rakyat atas tanah, hutan, tambang, wilayah tangkap nelayan, wilayah kelola masyarakat adat dan desa yang terjadi sekarang ini adalah bentuk nyata dari perampasan kedaulatan rakyat.

Bagi Kami Kaum Tani, Nelayan, Masyarakat Adat, dan Perempuan perampasan tersebut telah membuat kami kehilangan tanah yang menjadi sumber keberlanjutan kehidupan.

Bagi Kami Kaum Buruh, perampasan tanah dan kemiskinan petani pedesaan adalah sumber malapetaka politik upah murah dan sistem kerja out sourcing yang menindas kaum buruh selama ini. Sebab politik upah murah dan system kerja out sourcing ini bersandar pada banyaknya pengangguran yang berasal dari proses perampasan tanah. Lebih jauh, perampasan tanah di pedesaan adalah sumber buruh migran yang dijual murah oleh pemerintah keluar negeri tanpa perlindungan.

Melihat kenyataan tersebut, kami berkesimpulan: Bahwa dasar atau fondasi utama dari pelaksanaan sistem ekonomi neoliberal yang tengah dijalankan oleh SBY Boediono adalah Perampasan Tanah atau Kekayaan Alam yang dijalankan dengan cara-cara kekerasan.

Kami berkeyakinan bahwa untuk memulihkan hak-hak rakyat Indonesia yang dirampas tersebut harus segera dilaksanakan Pembaruan Agraria, Pembaruan Desa demi Keadilan Ekologis.

Pembaruan Agraria adalah penataan ulang atau restrukturisasi pemilikan, penguasaan, dan penggunaan sumber-sumber agraria, untuk kepentingan petani, buruh tani, perempuan dan golongan ekonomi lemah pada umumnya seperti terangkum dalam UUPA 1960 pasal 6,7,9,10,11,12,13,14,15,17. Pembaruan Agraria adalah mengutamakan petani, penggarap, nelayan tradisional, perempuan dan masyarakat golongan ekonomi lemah lainnya untuk mengelola tanah, hutan dan perairan sebagai dasar menuju kesejahteraan dan kedaulatan nasional.

Pembaruan Desa adalah pemulihan kembali hak dan wewenang di Desa atau nama lain yang sejenis, yang telah dilumpuhkan dan diseragamkan oleh kekuasaan nasional sejak masa Orba melalui UU No.7/1979 tentang Pemerintahan Desa. Penyeragaman tersebut telah menghilangkan pranata asli masyarakat pedesaan yang merupakan kekayaan “Bhineka Tunggal Ika” yang tak ternilai harganya.

Pembaruan Desa adalah pemulihan hak dan wewenang desa dalam mengatur sumber-sumber agraria di desa dengan cara memberikan wewenang desa dalam mengelola kekayaan sumber-sumber agraria untuk rakyat, memberikan keadilan anggaran dari APBN, menumbuhkan Badan Usaha Bersama Milik Desa untuk mempercepat pembangunan ekonomi pedesaan.

Bingkai utama dari pelaksanaan Pembaruan Agraria dan Pembaruan Desa adalah menuju Keadilan Ekologis. Dengan demikian, keseluruhan pemulihan hak-hak agraria rakyat, pemulihan desa adalah untuk memulihkan Indonesia dari kerusakan ekologis akibat pembangunan ekonomi neoliberal selama ini.

Melalui Aksi ini, kami Sekretariat Bersama Pemulihan Hak-Hak Rakyat menyerukan: Kepada seluruh rakyat Indonesia yang terhimpun dalam organisasi-organisasi gerakan untuk merebut dan menduduki kembali tanah-tanah yang telah dirampas oleh pemerintah dan pengusaha. Kami mengajak seluruh rakyat Indonesia untuk membentuk organisasi-organisasi perlawanan terhadap segala bentuk perampasan tanah.

Kami juga mengajak kepada para cendikiawan, budayawan, agamawan, professional agar mengutuk keras dan melawan segala bentuk pelanggaran HAM berat yang dilakukan secara sistematis oleh pemerintah dalam melakukan perampasan tanah.

Untuk itu, Kami Sekretariat Bersama Pemulihan Hak-Hak Rakyat Indonesia menuntut :

1. Menghentikan Segala Bentuk Perampasan Tanah Rakyat dan Mengembalikan Tanah-Tanah Rakyat yang Dirampas.
2. Laksanakan Pembaruan Agraria Sejati sesuai dengan Konsitusi 1945 dan UUPA 1960
3. Tarik TNI/Polri dari konflik Agraria, membebaskan para pejuang rakyat yang ditahan dalam melawan perampasan tanah.
4. Melakukan Audit Legal dan Sosial Ekonomi terhadap segala Hak Guna Usaha (HGU) Perkebunan, Hak Guna Bangunan (HGB), SK Hutan Tanaman Industri (HTI) dan Hak Pengusahaan Hutan (HPH), Izin Usaha Pertambangan (IUP) baik kepada Swasta dan BUMN yang telah diberikan dan segera mencabutnya untuk kepentingan rakyat.
5. Membubarkan Perhutani dan memberikan hak yang lebih luas kepada rakyat, penduduk desa, masyarakat adat dalam mengelola Hutan.
6. Pengelolaan sumber-sumber alam yang sebesar-besarnya bagi kemakmuran rakyat dengan mensegerakan UU PA-PSDA sesuai amanat TAP MPR No IX/2001 tentang Pembaruan Agraria dan Pengelolaan Sumber Daya Alam.
7. Penegakan Hak Asasi Petani dengan cara mengesahkan RUU Perlindungan Hak Asasi Petani dan RUU Kedaulatan Pangan sesuai tuntutan rakyat tani.
8. Penegakan Hak Masyarakat Adat melalui Pengesahan RUU Pengakuan dan Perlindungan Hak Masyarakat Adat
9. Pemulihan Hak dan Wewenang Desa dengan segera menyusun RUU Desa yang bertujuan memulihkan hak dan wewenang desa atau nama lain yang sejenis dalam bidang ekonomi, politik hukum dan budaya.
10. Penegakan Hak Asasi Buruh dengan Menghentikan Politik Upah Murah dan Sistem Kerja Kontrak, Out Sourcing dan membangun Industrialisasi Nasional. Bentuk Undang-undang yang menjamin hak-hak Buruh Migran Indonesia dan Keluarganya
11. Penegakan Hak Asasi Nelayan Tradisional melalui perlindungan wilayah tangkap nelayan tradisional dengan mengesahkan RUU Perlindungan Nelayan, Menghentikan kebijakan impor ikan dan privatisasi perairan pesisir dan pulau-pulau kecil.
12. Pencabutan sejumlah UU yang telah mengakibatkan perampasan tanah yaitu : UU No.25/2007 Penanaman Modal, UU 41/1999 Kehutanan, UU 18/2004 Perkebunan, UU 7/2004 Sumber Daya Air, UU 27/2007 Pengelolaan Wilayah Pesisir dan Pulau-Pulau Kecil, UU 4/2009 Minerba, dan UU Pengadaan Tanah Untuk Pembangunan.

Demikian Pernyataan Sikap ini

Koordinator Umum Aksi:

Agustiana / 085223207500

Juru Bicara Sekber:

1. 1.     Henry Saragih  0811655668
2. 2.     Idham Arsyad 081218833127
3. 3.     Rahmat Ajiguna 081288734944
4. 4.     Berry N Furqon 08125110979
5. 5.     Abdon Nababan 0811111365

Sekretariat Sekber:

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Anggota Sekber

Serikat Petani Indonesia (SPI), Aliansi Gerakan Reforma Agraria (AGRA), Serikat Petani Pasundan (SPP), Konsorsium Pembaharuan Agraria (KPA),  Persatuan Pergerakan Petani Indonesia (P3I), Serikat Petani Kelapa Sawit (SPKS), Asosiasi Tani Nusantara (ASTANU), Serikat Nelayan Indonesia (SNI), Badan Perjuangan Rakyat Penunggu Indonesia (BPRPI), Aliansi Masyarakat Adat Nusantara (AMAN), Serikat Hijau Indonesia (SHI), Petani Mandiri, Paguyuban Petani Hutan Jawa (PPHJ), Serikat Petani Merdeka (Setam- Cilacap), Rumah Tani Indonesia (RTI), Aliansi Petani Indonesia (API), Serikat Pekerja Tekstil Buana Groups (SPTBG), Sawit Watch, Koalisi Rakyat Untuk Keadilan Perikanan (KIARA), Konsorsium Pendukung Sistem Hutan Kerakyatan (KpSHK), HuMA, RACA, Greenpeace,  Jaringan Advokasi Tambang  (JATAM), Pusaka Indonesia, Bina Desa, Institute Hijau Indonesia,  JKPP, Yayasan Lembaga Bantuan Hukum Indonesia (YLBHI), LBH Jakarta, KONTRAS, IMPARSIAL, IHCS, ELSAM, IGJ,  Parade Nusantara, Koalisi Anti Utang (KAU), Petisi 28, ANBTI, REPDEM, LIMA, Forum Pemuda NTT Penggerak Keadilan dan Perdamaian (Formada NTT), Front Mahasiswa Nasional (FMN), PB Himpunan Mahasiswa Islam (HMI), Serikat Mahasiswa Indonesia (SMI), Front Perjuangan Pemuda Indonesia (FPPI) Pergerakan Mahasiswa Islam Indonesia (PMII), Liga Mahasiswa Nasional Untuk Demokrasi (LMND), Perhimpunan Mahasiswa Katolik Republik Indonesia (PMKRI), Front Aksi Mahasiswa (FAM Indonesia), LSADI, SRMI,  Persatuan Perjuangan Indonesia (PPI), Liga Pemuda Bekasi (LPB),  Gabungan Serikat Buruh Independent (GSBI), Konfederasi Serikat Buruh Indonesia (KASBI), Federasi Perjuangan Buruh Jabodetabek (FPBJ), Konfederasi Serikat Buruh Sejahtera Indonesia (KSBSI-Tangerang), Asosiasi Tenaga Kerja Indonesia (ATKI), , KPO- PRP, Konfederasi Pergerakan Rakyat Indonesia (PERGERAKAN), Serikat Buruh Migran Indonesia (SBMI), Komite Serikat Nasional (KSN),  INDIES, SBTPI, Gesburi, Serikat Pekerja Kereta Api Jabodetabek (SPKAJ), GMPI,  SBTNI, Punk Jaya, PPMI,Perempuan Mahardika, SPTBG, Wahana Lingkungan Hidup Indonesia (WALHI), Konferderasi Serikat Nasional (KSN), Indonesian Corruption Watch (ICW).

STREET ART & SOCIAL MOVEMENT # RESPECTA SOLIDARITY 2012